Year of production1993
Broadcast and production partnersSBS
On New Year’s Eve 1991, Chen Xing Liang landed in a wooden fishing boat – code-named Isabella on the far north coast of Australia. Aboard were 56 Chinese Nationals.
After walking more than 150 kilometres, over 10 days, through crocodile and snake infested country, the first members of the party stumbled upon a remote cattle station in the Kimberley. Within hours one of Australia’s biggest manhunts was in full swing. Gradually day by day all 56 were found.
Headlines hailed them as heroes – but the Australian authorities branded them illegal immigrants.
All were charged with illegal entry and transported to an isolated detention centre in Port Hedland. Here they waited behind bars, with hundreds of other boat people, whilst their applications for refugee status were processed. The long march had become the long wait.
‘The first sentence I learnt in Australia was ‘the sun is shining, no clouds in the sky.’ When I looked at the sky there were no clouds but the sky was divided into pieces by the iron bars. No matter what – there were obstructions.’
The Isabellas tells the story of Chen Xing Liang, a teacher and political dissident who left his family, job and friends in China to embark upon a remarkable journey in pursuit of democratic ideals and a new life. He recounts his tale of survival as he travels for the first time back to the Kimberley where he is reunited with his rescuers at the cattle station. At Port Hedland he meets boat people still held in detention and shares his own experiences of waiting for asylum – including going on hunger strikes and being placed in Roebourne jail.
Chen Xing Liang asks the Australians he meets:
‘Would you like to be a refugee? No. Australian people don’t understand what is a refugee. No Chinese people want to leave China – so why do people leave? You are working in a company – the manager maybe kill you, you’re in jail you don’t know what’s happening… China is a difficult country, it’s different to Australia’.
Alongside his personal story is the High Court battle of the 26 Isabellas who still remain in Australia without asylum. Until they are granted refugee status, they cannot work, are not eligible for any Benefits and rely on the help of charity. They live in constant fear of being deported back to China.
(I) hope you are able to catch the excellent documentary THE ISABELLAS THE LONG MARCH. This is the story of one man coming to terms with exile. Articulate and poetic in his insights, Chen Xing Liang is the antithesis of the popular notion of the marauding opportunist. Economically and ecologically Australia is vulnerable to any unchecked wave of migration and we therefore have to protect ourselves. But the measure of any society is its generosity of spirit. Freedom without compassion is no freedom at all.SIMON HUGHES, The Age, 7 February 1995
The Isabellas is an account of the 56 Chinese from the boat code named Isabella who landed unobserved and almost perished in the Kimberley…The words come out in simple and moving phrases of translation: You won’t die. We need each other’s company.DENNIS PRYOR, The Age, 4 February 1995
The Cutting Edge on SBS tonight is a program called The Isabellas: The Long March. It is two things – a tale of quite amazing human resilience, determination and hardship, and a broader look at a whole subject. Four years ago, 56 Chinese nationals landed a wooden boat on the rugged Kimberley coastline. One of them was Chen Xing Liang. He is the subject of this documentary made by Sally Ingleton.PAM CASELLAS, The West Australian, 7 February 1995
This Cutting Edge documentary is remarkable more for its substance than its style. But the content of the interviews is eyeopening for the many Australians who until now only thought of refugees in terms of how lucky they were to be here.MARGARET KENEALLY, Daily Telegraph Mirror, 7 February 1995
Ingleton takes Chen to Port Hedland where he talks to internees through the wire. ‘What’s it like living in Australia?’ a girl asks him shyly. He shrugs ‘Not bad; like living in an aunt’s house forever’, he says.JANE FREEMAN, Sydney Morning Herald, 6 February 1995